Gendering Modernism: A Historical Reappraisal of the Canon, by Maria Bucur Tracey Warr on a broad survey that outlines women’s exclusion from an artistic movement By Tracey Warr 14 September
Bosch and Bruegel: From Enemy Painting to Everyday Life, by Joseph Leo Koerner Tracey Warr on a pair of masters who, with ethereality and earthiness, respectively, puts the captivatingly quotidian on canvas By Tracey Warr 19 January
Willem de Kooning Nonstop: Cherchez la Femme, by Rosalind E. Krauss Book of the week: Tracey Warr on De Kooning’s iterative output and his fascination with the physicality of paint By Tracey Warr 28 April
Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell Tracey Warr on the middlemen and artists who decide what their works should be called By Tracey Warr 8 October
Paul Klee: The Visible and the Legible, by Annie Bourneuf Tracey Warr extols a study demonstrating an artist’s deep engagement with the theories, practices and works of his peers By Tracey Warr 3 September
Still Lives: Death, Desire, and the Portrait of the Old Master, by Maria H. Loh Pigment and poison mix in a study of Renaissance artists’ nascent fame, says Tracey Warr By Tracey Warr 25 June
